A crucial concept in Redman’s work is the "T-Bar." This is the imaginary intersection formed by the vertical centerline of the face (the nose line) and the horizontal line running across the eyes.
One of Redman's most vital teaching tools is the concept of the This is the baseline, average human face used as a mental reference point.
Using the T-Bar as your anchor, block in the eyes, nose, and mouth. If the subject has large eyes, draw them larger than life.
Why not pick up a pencil, find the book (legally, of course), and give it a try? The world is full of amazing faces waiting for their humorous, affectionate portrait to be drawn. Happy sketching! how to draw caricatures lenn redman pdf work
: Black out your caricature entirely. Can you still recognize the person just by the outer shape of their head and hair? Redman argued that a great caricature always passes the silhouette test.
Redman breaks the face down into a series of predictable geometric shapes and relationships. 1. Finding the Head Shape
Redman always talked to his subjects.
, noticing how the bassist’s tiny spectacles sat precariously low on a bridge-less nose.
: Rather than exaggerating everything, Redman advises focusing on these specific deviations to maintain a recognizable likeness. Structural Breakdown of the Work
This public link is valid for 7 days and shares a thread, including any personal information you added. This link or copies made by others cannot be deleted. If you share with third parties, their policies apply. Can’t copy the link right now. Try again later. A crucial concept in Redman’s work is the "T-Bar
By analyzing these deviations, artists can amplify the unique traits of a subject without losing their likeness. Key Sections of the Lenn Redman Worksheet Program
: The overall container for the face (e.g., circle, oval, square). The Facial Oval : The internal area where features reside. : Represented as two smaller circles or ovals. : Represented as a curved line.
Caricature is more than just drawing funny faces; it is the art of exaggerated truth. While many modern tutorials focus on digital tools, the foundational mechanics of the craft remain anchored in traditional techniques. For decades, aspiring artists, street sketchers, and editorial cartoonists have searched for copies of veteran artist Lenn Redman’s teachings to master this skill. If the subject has large eyes, draw them larger than life