The 2011 digital remaster emphasizes the distinct blending of genres that made the album a global phenomenon. Hearing it at 24-bit/192kHz alters the perception of its biggest hits: "Need You Tonight" / "Mediate"
To experience the true, uncompromised fidelity of the 2011 high-resolution remaster, audiophiles should turn to legitimate HD audio marketplaces. Trusted platforms regularly host official Warner Music or Universal Music high-res catalog releases:
"Maybe you don't have to go far to change everything," she said. "Sometimes a kick is just that—enough to start moving."
Do not download files from shady forums or torrent networks. They often disguise malware as music files or offer fake upsamples (low-quality MP3s stretched into massive files). Secure, verified high-resolution links are available on major audiophile platforms:
The 2011 remaster offers a "polished yet punchy" sound, balancing the need for modern loudness without destroying the original dynamic range. Conclusion inxs kick 2011 flac 24192 link
Bluetooth audio codecs (even advanced ones like LDAC or aptX Adaptive) compress audio. To hear the unadulterated 192kHz master, use high-quality wired audiophile headphones (e.g., Sennheiser HD600 series, Beyerdynamic, or Focal) or a dedicated hi-fi stereo amplifier connected to premium studio monitors. Sourcing the Authentic 2011 Studio Master
This article explores why the release is considered the definitive digital version for enthusiasts seeking the ultimate listening experience. The Magic of Kick (2011 Remaster)
Here's what I found:
The original Kick sessions were recorded on analog tape at studios including Rhinoceros Recordings in Sydney and mastered by Bob Ludwig. The 2011 high-resolution transfer aimed to capture the full dynamic range of Michael Hutchence’s vocals, the punch of Garry Gary Beers’ bass, and the crisp attack of Kirk Pengilly’s saxophone and guitar. The 2011 digital remaster emphasizes the distinct blending
When searching for high-resolution versions of Kick , be aware of product descriptions. The 2011 remaster was also released on Blu-ray as part of a deluxe edition. However, it was discovered that the audio on that disc is , which is a very marginal improvement over the CD's 44.1kHz, and far below the 24/192 standard. Some customers felt calling this "high-resolution" was misleading. When purchasing, always check the technical specifications directly on the download page or product listing to ensure you are getting what you pay for.
Streaming services like (in “Master” quality) and Amazon Music Unlimited (Ultra HD) also offer 24-bit versions of Kick , though typically at 44.1kHz or 96kHz, not 192kHz.
The result is an album that sounds more detailed, more nuanced, and more engaging than ever before. The 24/192 FLAC format provides a level of audio fidelity that is simply stunning, with crystal-clear highs, detailed midrange, and deep, rumbling bass. Every instrument, from Michael Hutchence's vocals to Andrew Farriss's guitar work, sounds precise and accurately placed in the mix.
The seamless crossfade between these two tracks is a masterclass in tension and release. The electronic kick drum and clicking percussion of "Need You Tonight" showcase the absolute silence of the 24-bit noise floor. When the live, driving bassline of "Mediate" drops, the transition feels incredibly dynamic. 4. "Never Tear Us Apart" "Sometimes a kick is just that—enough to start moving
The opening guitar scratch is crisp and localized precisely on the soundstage. In the 24/192 version, there is a distinct spatial separation between Tim Farriss’s rhythm guitar and Andrew Farriss’s keyboards. Hutchence’s lead vocals sit perfectly centered and slightly forward, revealing subtle throat inflections and emotional nuances previously buried in the mix. "Never Tear Us Apart"
The acoustic piano chords have a resonant, natural decay that rings out cleanly.
That depends on your equipment and ears. Through a high-end DAC and revealing speakers or headphones, the 24/192 remaster of Kick offers subtle improvements: tighter low-end, more air around Hutchence’s voice, and less digital “glare” compared to the original CD. However, many listeners find 24/96 indistinguishable. The real upgrade over MP3 or standard CD is the 24-bit depth, which eliminates dither noise during quiet passages.