, offers a crystalline high-resolution experience. Available in FLAC 24-bit/96kHz (and often upsampled or sourced at 24/192) on Blu-ray Audio, this edition is widely regarded as a definitive modern sonic rejuvenation of progressive rock’s finest hour. Here is a feature breakdown of this acclaimed reissue. 1. The Sonic Revamp: Steven Wilson's Approach Clarity and Separation:
The audiophile release represents the absolute pinnacle of progressive rock reproduction. Released on the Panegyric label, this high-resolution package features a comprehensive restoration of the 1972 masterpiece by acclaimed producer Steven Wilson , extracted in pristine Free Lossless Audio Codec (FLAC) at an ultra-high sampling rate of 24-bit/192kHz .
The "FLAC 24-192" designation refers to two distinct components of the 2013 high-resolution package: Original Stereo Mix (Flat Transfer): The 24-bit / 192kHz files are typically flat transfers
The chaotic "Seasons of Man" section feels less cluttered, allowing Rick Wakeman’s rapid-fire keys to shine.
user wants a long article about the search term "Yes - Close To The Edge -2013- -FLAC 24-192-". This likely refers to a high-resolution audio release of Yes's album "Close to the Edge" from 2013 in FLAC 24-bit/192kHz format. The article should cover the album, the 2013 remaster or reissue, the technical aspects of FLAC 24/192, and the broader context of high-resolution audio. To gather comprehensive information, I will perform multiple searches covering different aspects: general information about the album "Close to the Edge", details about the 2013 release, technical information about FLAC 24/192, and reviews or discussions about high-resolution audio. search results provide a variety of sources. I will open several to gather detailed information. Result 0 from the first search seems to be a page about the HDTracks release. Result 1 is a Discogs page. Result 2 is a Wikipedia page. Result 3 is a discussion thread. Result 4 is a review. Result 5 is another page. Result 6 is a review. Result 7 is a streaming page. Result 8 is a discogs page. Result 0 from the second search is the official Yes page. Result 1 is a Wikipedia page. Result 2 is a review. Result 3 is a Baidu Baike page. Result 4 is a Rolling Stone article. Result 5 is a review. Result 6 is a Last.fm page. Result 0 from the third search is a Cloudinary page. Result 1 is a CNET page. Result 2 is a Baidu Baike page. Result 3 is a JD.com page. Result 4 is a Cambridge Audio page. Result 5 is a KEF page. Result 6 is a Yahoo Tech page. Result 7 is a Qobuz page. Result 8 is a Sound and Vision page. Result 0 from the fourth search is a forum thread. Result 1 is a review. Result 2 is a review. Result 3 is an eBay page. Result 4 is a review. Result 5 is a review. Result 6 is a review. Result 7 is a review. Result 8 is a review. Result 0 from the fifth search is a TechHive page. Result 1 is a Cambridge Audio page. Result 2 is a Sound and Vision page. Result 3 is a Superuser page. Result 4 is a forum page. Result 5 is a page. Result 6 is a forum page. Result 7 is a forum page. I will open these pages to extract relevant information for the article. have gathered a substantial amount of information from various sources. Now I need to synthesize this into a long article. The article should cover: introduction to the album and its significance, the 2013 definitive edition and Steven Wilson's remix, the technical specifications of FLAC 24/192, the listening experience and sound quality, and practical information on downloading and playing such files. I will structure the article with these sections, using citations where appropriate. intersection of technology and music has produced some genuinely transformative listening experiences, and for fans of progressive rock, few are as significant as the 2013 high-resolution release of Yes’s landmark album, Close to the Edge . This release is not just a nostalgia piece; it's a profound re-engineering of a classic, allowing listeners to hear the album in a clarity previously reserved for the mixing desk. The format specification— —represents a specific and sought-after pinnacle in the world of digital audio. This article will explore what makes this release so essential, delving into the history of the album, the technical aspects of the 24-bit/192kHz FLAC format, and why this particular version is considered a masterpiece of modern remastering. Yes - Close To The Edge -2013- -FLAC 24-192-
High-resolution FLAC files allow for a much higher dynamic range and frequency response than standard CDs, which is critical for the "I Get Up, I Get Down" section’s transition from delicate pipe organ to full-band crescendo. Daily Vault The Steven Wilson Intervention
The "Yes - Close To The Edge -2013- -FLAC 24-192-" release is a landmark in music preservation. It is not merely about higher numbers; it is about the philosophy of presenting a work of art with the utmost respect for its source.
For the progressive rock obsessive and the audio purist, is not just a file format. It is the definitive digital artifact of an undefinable album. It is the sound of a band reaching for the edge, and finally, in high resolution, bringing you with them.
Released in 2013 via Panegyric Records, the Steven Wilson remix of Yes’s landmark 1972 album, Close to the Edge , offers a crystalline high-resolution experience
To fully benefit from 24/192 FLAC:
The refers to a specific high-resolution digital version of the seminal 1972 progressive rock masterpiece, primarily sourced from the 2013 "Definitive Edition" reissue on Panegyric Recordings . This release is celebrated for featuring brand-new stereo and 5.1 surround mixes by Steven Wilson , as well as ultra-high-resolution transfers of the original production. Technical Breakdown
This isn't just a "cleaner" version; it's a more spacious, immersive journey through prog-rock's greatest masterpiece. If your gear can handle the 24-bit/192kHz bitrate, this is the definitive way to listen.
hits with the "rifle report" precision Wilson intended. The "FLAC 24-192" designation refers to two distinct
Standard CDs offer 16-bit depth, capping the theoretical dynamic range at 96 decibels. The 24-bit depth expands this range to 144 decibels. In Close to the Edge , this manifests in the dead-silent noise floor. The quietest passages—such as the ambient wilderness tape loops at the start of the title track—emerge seamlessly out of total blackness without any digital quantization noise or tape hiss. The Impact of 192kHz Sampling
Bonus Tracks : Often includes the full version of "America" and early rough mixes. Key Features of the 2013 Remix
The "192" refers to the sampling rate , the number of samples of audio taken per second during the analog-to-digital conversion process. The standard CD samples at 44.1kHz (44,100 samples per second). A 24/192 file samples at 192,000 samples per second—more than four times that of a CD. A higher sampling rate allows for capturing ultrasonic frequencies (well above the nominal 20kHz limit of human hearing) and results in a more accurate digital representation of the original analog waveform. While the audible benefits are debated, the practical advantage for a flat transfer of an analog master tape is that it captures the tape's output with extreme accuracy, ensuring that no information is lost in the digitization process.
Rolling Stone 500 Greatest Albums of All Time - Rated 445/500! Close to the Edge, Yes's follow-up to the 1971 smash album Fragile, Elusive Disc