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At the edge of each photograph, if she turned it so the light hit right, she could just make out the curl of a hand pressing to glass—an impressed trace that suggested someone, or something, had once wanted to be seen. Maybe, she thought, everyone who ever lived in that house had been making movies of themselves, afraid only of being forgotten. Maybe the house only asked for one thing in return for remembering them: an audience.

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Mara boxed the film and left it on her doorstep for the authorities, for the curious, for whoever would bring a wrench and a bureaucracy and an explanation. The house next door stood quiet, its blinds a little looser now. People said the estate was being cleared; someone else moved in eventually, a young couple with too many plants. Sometimes, late, Mara would see a light bleed through the curtains and think she swore she could hear the faint click and whir of a projector. Maybe, she thought, everyone who ever lived in